I've come up with a new Sonnet variation, the Rosarian Sonnet. It combines elements of the Petrarchan, Shakespearian, and
Pushkin Sonnet forms.
Its layout can be represented in poetic notation thus:
a
a
b
c
c
d
d
b
e
e
f
g
g
f
In this way the Sonnet is divided into two halves, in keeping with tradition. In a compromise between the Petrarchan and Shakespearian forms, where the Volta
(or 'shift' in thought) occurs after lines 8 and 12 respectively, the Volta in the Rosarian Sonnet occurs after line 10.
I'm uncertain whether it's better the concluding quatrain should be f,g,g,f or f,g,f,g (envelope rhyme or alternating rhyme), and I can see
justifications for both. Maybe we can keep this optional. Another option is to incorporate the 'b' rhyme of the first half of the Sonnet into the
concluding quatrain.
More info on the Rosarian, and many examples can be found here: The Poets Garret
Thank you Bruce, and no worries on the kudos I have
them disabled.....I just switched profiles from poetic
to ladyraine....and I'm trying to get all of my friends
moved over...*smiles
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LadyRaine
11/25/09
11/25/09
Reply from LadyRaine:
Hope you have a wonderful ThanksGiving...xoxo Rox
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Carja
11/21/09
Propaganster
11/17/09
LadyRaine
11/13/09
Happy Friday the 13th
Carja
11/12/09
tutter1234
11/06/09
And thank you so much for the compliment!
Hope you have a great weekend!!
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Carja
11/02/09
tutter1234
10/31/09
Hope you had/have a great time in New Zealand!!
Stop by when you're back or whenever you have time to do so!
And take care and stay safe!!
Original comment »
LadyRaine
10/30/09
have a wonderful night Bruce!
Hugs Rox
Original comment »
LadyRaine
10/27/09
them disabled.....I just switched profiles from poetic
to ladyraine....and I'm trying to get all of my friends
moved over...*smiles
Original comment »
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